Bibliography
Paddy Watts
Primary Sources
Figure 1. James Northcote (1746-1831) after Joshua Reynolds (1723-1792), Portrait of Edmund Burke (1728-1797), c.1770-1780 after a painting of 1774, oil on canvas, 76.3 x 63.8cm, Royal Albert Museum & Art Gallery
Figure 2. Lauret Dabos (1761-1835) Thomas Paine (1737-1809) 1792, oil on canvas, 34 x 26cm, National Portrait Gallery.
Figure 3. Anonymous, Circle of Joseph Hickel (1736-1807) Joseph II of Austria (1741-1790) in a dark Just-au-corps, oil on canvas, 97 x 71cm, Unidentified location.
Figure 4. Elisabeth Vigée Le Brun (1755-1842), Marie Antoinette with a rose 1783, oil on canvas, 130 x 87cm.
Figure 5. Joseph Ducreux (1735-1802), Portrait of Louis XVI of France between 1787 and 1797, pencil and chalk on paper, 49.5 x 30cm.
Figure 6. Jacques-Louis David, The Death of Marat, 1793, 165 X 128 cm, Musée Royaux des Beaux-Arts, Brussels.
Figure 7. Playbill, Edmund John Eyre, The Maid of Normandy: or, the Death of the Queen of France 1794, Performance at the Bridgenorth Theatre eighth January 1796.
Figure 8. Pablo Ruiz Picasso, Guernica, 1937, Oil on Canvas, 349.3 X 776.6 cm, Museo Nacional Centro de Arte, Reina Sofia, Madrid.
Figure 9. Unknown, George Orwell (1903-1950), Photograph c. 1940.
Figure 10. Lloyd Arnold, Hemingway posing for a dust jacket photo for the first edition of ‘For Whom the Bell Tolls’, photograph 1939.
Figure 11. George Orwell, Homage to Catalonia, (Secker and Warburg London, 1938).
Figure 12. Ernest Hemingway, For Whom the Bell Tolls, (Charles Scribner’s Sons, New York 1940).
Secondary Sources
Richey, William, ‘The French Revolution: Blake’s Epic Dialogue with Edmund Burke’, English Literary History, 59.4 (1992) 817-837.
Selinger, William,’ Patronage and Revolution: Edmund Burke’s “Reflections on the Revolution in France” and His Theory of Legislative Corruption’, The Review of Politics, 76.2 (2014), 43-62
Hochendlinger, Michael, ‘Who’s Afraid of the French Revolution? Austrian Foreign Policy and the European Crisis’, German History (2003) 293-318.
Nielsen, Wendy C., ‘Edmund Eyre’s The Maid of Normandy: or, Charlotte Corday in Anglo-Irish Docudrama’, Comparative Drama, 40.2 (2006) 169-190.
Stamm, Michael. ‘Watching News in Public: The Rituals and Responses of Newsreel Theatre Audiences’, Journal of Cinema and Media Studies, 63.2 (2024) 96-118.
Monteath, Peter, ‘Hitler and the Spanish Civil War. A Case Study of Nazi Foreign Policy’, Australian Journal of Politics and History, 54.3 (2008) 428-442.
McLellan, Josie, ‘I Wanted to be a Little Lenin: Ideology and the German International Brigade Volunteers, Journal of Contemporary History, (2006) 287-304.
Rossi, John, ‘Orwell on Fascism’, Modern Age, 54.1 (2012) 207-211.
Janine Davies
Primary Sources
1 Cruzada. Espana orientadora espiritual del mundo. 1931/1939, Political Posters, 101.6 x 71.1 cm, <https://digitalcollections.hoover.org/objects/26052/1-cruzada-espana-orientadora-espiritual-del-mundo> [accessed 22 January 2025].
Basset, Paul-André , L'Ami du Peuple, c. 1793, Etching, hand coloured, 810 X 583 cm, Victoria & Albert Museum, London, <https://collections.vam.ac.uk/item/O75947/marat-lami-du-peuple-print-basset-paul-andré/>
Capa, Robert, The Falling Soldier, 1936, Photograph, 24.7 X 34 cm, <https://www.rarehistoricalphotos.com/falling-soldier-1936/> [accessed 22 January 2025].
Coissieux, Jaques, Nouvelles Cartes de la République Française, 1793, Print, 38.5 X 24.4 cm, Victoria & Albert Museum, London, https://collections.vam.ac.uk/item/O126731/nouvelles-cartes-de-la-république-print-jean-démosthène-dugourc/
David, Jacques-Louis , The Death of Marat, 1793, 165 X 128 cm, Musée Royaux des Beaux-Arts, Brussels. <https://commons.wikimedia.org/wiki/File:Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2.jpg>
Mattais, E., The Death of Charlotte Corday on Place de la Révolution, drawing, 16.3 X 11.2 cm, The British Museum, London. <https://www.britishmuseum.org/collection/image/172374001> © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.
Oliver, Amando, Engrave this slogan on your chest: To fight is to win, Republican poster, c1937, Greg Beyer, ‘War on Paper: Propaganda Posters from the Spanish Civil War’, <https://www.the collector.com/Spanish-civil-war-propaganda-posters/>, [23 January 2025].
Keiskamma Guernica, 2010, Mixed media, 3.5 X 7.8 m, South Africa, https://keiskamma.org [accessed 24 January 2025].
Picasso, Pablo Ruiz, Guernica, 1937, Oil on Canvas, 349.3 X 776.6 cm, Museo Nacional Centro de Arte, Reina Sofia, Madrid.
Seymour, David, Woman Nursing a Baby at a Land Reform Meeting, Badajoz, Extremadura, Spain, 1936, Photograph, 25.4 X 17 cm, International Centre of Photography. <https://www.icp.org/browse/archive/objects/woman-nursing-a-baby-at-a-land-reform-meeting-near-badajoz-extremadura-spain> [accessed 23 January 2025].
Secondary Sources
Bernstein, Samuel, ‘Marat, Friend of the People’, Science & Society, 5.4 (1941) 310-335.
Dowd, David L., ‘Art as National Propaganda in the French Revolution’, The Public Opinion Quarterly, 15.5, (1951), 532-546.
Doyle, William, The Oxford Dictionary of the French Revolution, (Oxford: Oxford University Press,1989)
Dupre, Huntley, ‘Some French Revolutionary Propaganda Techniques’, The Historian, 2.2, (1940),156–64.
Gillickson, Gay L., ‘Militant Women: Representations of Charlotte Corday, Louise Michel, and Emmeline Pankhurst’, Women’s History Review, 23.6 (2014) 837-852.
Graham Helen, The Spanish Civil War: A Very Short Introduction (Oxford: Oxford University Press, 2005)
Lewis, Gwynne, The French Revolution: Rethinking the Debate (London: Routledge, 1993)
Pelz, William A., A People’s History of Modern Europe (London: Pluto Press, 2016)
Rankin, Nicholas, Telegram from Guernica: The Extraordinary Life of George Steer, War Correspondent (London: Faber and Faber, 2003)
Rubin, James H., ‘Disorder/Order: Revolutionary Art as Performative Representation’, The Eighteenth Century, 30.2, (1989), 83-111.
Young, Michael, Nathalie Hager, and Robert Belton, ‘Notes on Picasso’s Guernica in Context’, The European Legacy, 29.1, (2024) 37-50.
University of Brighton, Guernica Remakings, ‘Centre for Design History’, <https://www.brighton.ac.uk/cdh/what-we-do/projects/guernica-remakings.aspx> [accessed 23 January 2025].